Elliott BROOD
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For their fifth album, Elliott Brood wanted to break things. 2008’s Mountain Meadows was shortlisted for the Polaris Prize, and the band’s last record, Days Into Years, won a 2011 Juno award for roots album of the year. Now was the time to smash the precedents, break the mould. To withdraw to a farmhouse in Bath, Ontario, hammering out nine songs in two weeks.

For the first time, Elliott Brood decided to work with an outside producer: Ian Blurton, who has helped make roaring records for the Weakerthans, Skydiggers and Cursed. And for the first time, the group’s two songwriters decided to mine the bare histories of their own lives: penning verses about the ends of relationships and the tests of adulthood, long drives, childhood retreating in a rear-view mirror. “Work and love will make a man out of you,” the Constantines sang; and so here is Elliott Brood’s Work and Love, their most personal album to date, the sound of a grown-up band searching their hearts for all they’ve lost and gained.

Casey Laforet, Mark Sasso and Stephen Pitkin recorded Work and Love in the cold spring of 2014, as the ice was coming apart on Lake Ontario. They deserted their families and holed up in the Tragically Hip’s Bathhouse studio, scarcely emerging – waking and playing and playing and playing, one song a day. The magic usually happened some time after midnight, when they were “just tired enough”. Blurton would come out and lure them into a new place: a different, even truer landscape.

They called him “the Wizard”. Blurton the Wizard and engineer Nyles “the Mad Scientist” Spencer, filling the corners of songs with burred effects and tape loops. Elliott Brood had “played it safe” for four records, they claim: Blurton sharpened their sound, weathered and interrogated it, forced the three musicians to confront their own habits. And it made for a full-length that gestures toward the Hip and the Cons as much as it does to Richard Buckner and Whiskeytown.

These songs are loud and quiet but mostly loud, and always reaching toward something. First loves, lost loves, fuck-ups and young men’s just desserts. Laforet has called Work and Love a “lament for youth”, but it’s also a eulogy for the moments that came just after, on the doorstep of manhood. It’s music of remembered abandon, new burdens, and those nights, years ago, when the moonlit fields seemed to go on forever. It’s Elliott Brood at their sheerest, facing forward and backward at the same time.

Elliott BROOD - October 25, 2014
On Saturday at the Sala Azkena in Bilbao, Spain
Elliott BROOD - October 27, 2014
On Monday at the Boite in Madrid, Spain
Elliott BROOD - October 28, 2014
On October 28th at the Rocksound in Barcelona, Spain
Elliott BROOD - October 29, 2014
On October 29th at the Loco Club in Valencia, Spain
Elliott BROOD - October 31, 2014
On October 31st at the Serie Z Festival in Jerez, Spain
Elliott BROOD - November 4, 2014
On November 4th at the Astra Stube in Hamburg, Germany
Elliott BROOD - November 7, 2014
On November 7th at the The Bank Eye in Suffolk, UK
Elliott BROOD - November 12, 2014
On November 12th at the Burgerweeshuis in Deventer, NL
Elliott BROOD - November 13, 2014
On November 13th at the Paradiso in Amsterdam, Netherlands
Elliott BROOD - November 14, 2014
On November 14th at the VanSlag in Borger, Netherlands
Elliott BROOD - November 15, 2014
On November 15th at the Roepean in Ottersum, Netherlands
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Days Into Years
12.99 CD
19.99 Limited Edition Blue Vinyl
Tin Type
21.99 Tin Type Remastered Anniversary White Vinyl
6.99 'Tin Type' Digital (MP3) - Includes 3 Bonus Tracks!
Little Ones
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